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  <titleInfo>
    <title>Resurgent Modernism</title>
    <subTitle>the architecture of Namita Singh</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Bhatia, Gautam.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">ii</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Ahmedabad</placeTerm>
    </place>
    <publisher>Mapin Publishing</publisher>
    <dateIssued>2022</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>228 pages</extent>
  </physicalDescription>
  <abstract>There have been significant sustained professional practices in the city since the seventy years following its inception that have taken architecture into a modern Indian direction.0A book on the works of Namita Singh is long overdue. Her Chandigarh-based practice, has delivered a range of buildings?including educational institutes, offices, commercial projects, housing, heritage and restoration works, private homes and interiors?all across India. While much of her work is in tune with a contemporary modernism, she has always drawn on local values and technologies for its generic expressions. Having set up a practice barely a decade after independence, Namita belongs to the generation of architects who participated in the country?s rapid development, providing a range of infrastructure projects for a society in the making, its institutions and cities.0How does one assess the overall work of a five decade-long practice that has succeeded in creating monumental public works but also those of a fine-tuned residential scale, each structure dedicated to a precise ideal, conscious of environment and technology, scope and purpose? Foremost is the inclusion of work that illustrates principles the architect uses to build. Second, projects that clearly demonstrate a conceptual unity to an idea or design as well as those that are part of the stylistic consistency of the firm. The accompanying pictures tell a parallel story and lend value to the breadth of the varied projects presented and of a practice informed by inquiry.</abstract>
  <subject authority="lcsh">
    <name type="personal">
      <namePart type="termsOfAddress">(Architect)</namePart>
      <namePart>Singh, Namita</namePart>
    </name>
  </subject>
  <subject authority="lcsh">
    <topic>Architecture</topic>
    <geographic>India</geographic>
    <geographic>Chandigarh</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Building</topic>
    <geographic>India</geographic>
    <geographic>Chandigarh</geographic>
  </subject>
  <subject authority="fast">
    <topic>Architecture</topic>
  </subject>
  <subject authority="fast">
    <topic>Building</topic>
  </subject>
  <subject authority="fast">
    <geographic>India</geographic>
    <geographic>Chandīgarh</geographic>
  </subject>
  <classification authority="ddc">724.6 BHA</classification>
  <identifier type="isbn">9789394501010</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">220929</recordCreationDate>
    <recordChangeDate encoding="iso8601">20240116143806.0</recordChangeDate>
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